Some History Is Worth Repeating In the golden age of tape recording, the original 351-style tube preamp became the king of studio technology, giving artists like Elvis Presley, Bing Crosby, Les Paul, Nat King Cole, Roy Orbison, and producers such as Steve Albini - a timeless sound that is still chased by the masters of audio engineering today. With high-quality components, a circuit design faithful to the original, and selectable tape saturation, the WA-MPX faithfully reproduces all of the original analog vibe, adding classic warmth and color to your mix. An Authentic Vintage Experience The WA-MPX preamps are hand-wired with 100% discrete electronics. Each channel has 3 tubes, and with the high gain switch on, the WA-MPX delivers a staggering 90dB of gain. Each channel features custom-wound large-core CineMag transformers on the inputs and outputs, which takes the preamp circuitry up to 300V. WA-MPX pres are housed in a steel chassis with a brushed aluminum faceplate, vintage-style knobs and his amber meters. All of these key components, combined with traditional construction, not only provide a classic 'tape age' tube preamp, but one of the best value all-tube mic preamps available today. Following Warm's formula for staying faithful to classic sounds with premium components, every WA-MPX is meticulously hand inspected and tested at Warm Audio headquarters in Austin, Texas. A Tube-Based Tone-Shaping Workstation As a premium tube mic preamp, the WA-MPX offers a wide range of analog tones. From clean volume that retains the clarity of quieter sources, to rich distortions as a result of saturating the tubes. WA-MPX features a key set of controls such as input impedance switching, +48V, polarity inversion, and input/output gain to meet the requirements of everyday pro audio use. In addition to an 80Hz highpass filter that helps suppress unwanted low frequencies, the WA-MPX also features a 2kHz lowpass filter to roll off harsh high frequencies for a more vintage sound. The classic Warm Audio's 'Tone' control changes the impedance of the input transformer for added analog tone. The 'High Gain' control kicks in an additional 20dB of tube gain, boosting the WA-MPX up to 90dB- incredibly useful for low output dynamic and ribbon mics. Finally, WA-MPX's Tape Saturation switch activates discrete circuitry in the signal path, adding natural compression, harmonic distortion and focused tone filtering to emulate the sound of a tape machine running at 15 IPS- giving a signal the perfect amount of imperfection, especially on program material when mixing and mastering. WA-MPX is not just a pre with an analog tape vibe, it's a fully customizable and extremely powerful tube mic pre. PREMIUIM COMPONENTS | ELITE BUILD QUALITY | SUPERIOR SOUND Premium 12AX7 & 12AU7 Vacuum Tubes Using three premium tubes per channel, two 12AX7 and one 12AU7, the WA-MPX provides high headroom and harmonically rich classic analog sounds found only in the most sought-after tube mic preamps on the market. American-Made Transformer From CineMag The history of the CineMag Transformer dates back to the 1940's and was associated with some of the most popular audio equipment of the last century. The CineMag output transformers in the WA-MPX pre is custom wound with a very large core. As with all CineMags, WA-MPX's input and output transformers are made in the USA and manufactured to exacting standards. The huge headroom and additional analog color of the transformers blend beautifully with the select tubes in the WA-MPX. Technical Specifications (Per Channel): Authentic Reproduction Of The Most Revered Tape-Era Tube Preamp Fully Discrete, Hand-Built Construction With 3 Tubes Per Channel For Ultimate Analog Tone Selectable Tape Saturation Adds Harmonic Distortion & Natural Compression 90dB Of Analog Tube Gain Per Channel Custom-Wound, Large-Core CineMag USA Transformers Mic Input: 600O Transformer (6000O Rated) Mic Input With “Tone” Engaged: 150O Transformer (1500O Rated) Premium (2X) 12AX7 & (1X) 12AU7 Vacuum Tubes 600O Output Attenuator Engage High Gain Control For An Added 20db (From 70db To 90db) Of Clean Gain For Low-Output Mics And Low-Volume Sources 48v Phantom Power & Polarity Switch Classic Warm Audio Tone Control That Alters The Input Transformer Impedance Adding Extra Analog Color 80Hz High-Pass Filter To Control Unruly Bass Frequencies 2kHz Low-Pass Filter To Focus Preamp Power & Warmth On Mids For Added Punch Inputs: XLR Mic, TS Instrument & TRS Line. Outputs: XLR / TRS Line Level VU Meter Level Indication Frequency Response: 20Hz-20kHz Aluminum Faceplate, Steel Chassis, & Vintage Bakelite-Style Knobs Internal IEC 115v/230v Power Inlet