Source Audio One Series Nemesis Delay Guitar Effects Pedal (Power Supply Included)

Features Slapback — Synonymous with rockabilly guitar effects, Slapback delivers a short single-repeat echo based on early tape delay machines. Digital — A classic clear digital delay with optional delay time modulation. The intensity knob controls filtering allowing for high pass filters (creating a thinner delay sound) or low pass filters (creating a warmer delay sound). 12 o’clock on the Intensity knob offers a 100% pure, unfiltered delay. The Nemesis features a 56-bit signal path with a 24-bit delay line for immaculately clean repeats. Diffuse — A delay line with a diffusion effect that smears the attack of the repeated signal, softening it and allowing it to blend in more easily with the unprocessed dry signal. This creates an ethereal sound reminiscent of classic “oil can” delay systems. Analog — The sound of classic bucket brigade analog delays. Successive delays are warm, resonant and increasingly lo-fi. Tape — A detailed re-creation of classic moving-head tape delays. Tape captures all the characteristic flutter, warmth, and color that give vintage tape delay machines like the Echoplex and Space Echo their classic charm. Noise Tape — A detailed re-creation of classic fixed-head tape delays. Noise Tape is grittier and darker than the Tape engine, capturing the sound of old or damaged tape. Degrade — A primitive Lo-Fi digital delay with bit crushing and sample rate reduction. This creates unique retro sounds with varying amounts of distortion, noise, and aliasing. Shifter — A delay with polyphonic pitch-shifting on the delayed signal. Choose from octave (either up or down), minor or major 3rds, 4ths, and 5ths. Helix — This angelic delay effect combines reverse delay with an octaver to create a strange, shimmering delay that disappears into the upper frequency range. Reverse — The classic reverse tape sound made popular made popular by a number of iconic psychedelic ere guitar players who shall remain nameless. The Nemesis creates several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect. Sweeper — A resonant low pass filter slowly sweeps across the frequency range, creating an undulating synth-like effect. Rhythmic — The Nemesis delay line contains 6 taps. This allows for the creation of rhythmic patterns in the delay effect. The Rhythmic effect uses 4 taps to create a wide variety of rhythms. Specifications Audio Performance Maximum Input Level: +6.54 dBV = 8.76 dBu = 2.12 V RMS = 6.0 V p-p Full Scale Output Level: +6.54 dBV = 8.76 dBu = 2.12 V RMS = 6.0 V p-p Input Impedance: 1 MegaOhm (1 M?) Output Impedance: 600 Ohm (600 ?) 110 dB DNR Audio Path 24-bit Audio Conversion 56-bit Digital Data Path Universal Bypass (relay-based true bypass and analog buffered bypass) Power 200 mA @ 9V DC Center negative, Barrel positive plug, 2.1 mm inner diameter, 5.5 mm outer diameter Dimensions Length: 11.63 cm (4.58 inches) Width: 11.17 cm (4.40 inches) Height (not including knobs and footswitches): 3.71 cm (1.46 inches) Height (including knobs and footswitches): 5.61 cm (2.21 inches) Weight Weight: 450 grams (1 pound) Watch: Nemesis Delay: Official Source Audio Demo