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Midas Heritage HD96-24-TP Digital Console with Touring Flight Case
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  • Midas Heritage HD96-24-TP Digital Console with Touring Flight Case
  • Midas Heritage HD96-24-TP Digital Console with Touring Flight Case
  • Midas Heritage HD96-24-TP Digital Console with Touring Flight Case
  • Midas Heritage HD96-24-TP Digital Console with Touring Flight Case
Midas Heritage HD96-24-TP Digital Console with Touring Flight Case
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Midas Heritage HD96-24-TP Digital Console with Touring Flight Case

$58,999.00 AUD
Brand: Midas
SKU: 453042

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Out of stock

Mega Music Myaree

Out of stock in store

Mega Music Wangara

Out of stock in store

Midas Heritage HD96-24-TP Digital Console with Touring Flight Case

Default Title

Mega Music Myaree

Out of stock in store

95 N Lake Rd
Myaree WA 6154
Australia

+61893302777

Mega Music Wangara

Out of stock in store

5/32 Prindiville Drive
Wangara WA 6065
Australia

+61894081236
Description

 The History of Heritage

The Heritage 3000 (H3K) was first introduced in 1999. With its famous purple colour and character, it was a real Midas. It quickly established itself as a global industry standard for live sound applications. The H3K was a huge success from day one. It wasn't just the eye-catching colour scheme that shocked the industry. With a new preamp design that goes beyond the legendary XL4, a large channel and aux count, and a flexible aux switching system, it's no wonder the H3K has emerged as the people's choice of console when it comes to specifications. Living up to the H3K's reputation is undoubtedly a tough task. The H3K set a new standard for live mixing. Naming the Heritage D after such a legendary mixer was a bold move indeed. But it is a bold and forward-thinking product, while still maintaining the legendary sound quality and raising the bar for what a digital mixer can do. The Heritage D has been designed with the future in mind, and with a talented Midas team eager to improve and continually add new features, it will continue to grow and evolve for years to come. Your investment in the Heritage D is safe.

The Graviton Mk 2 Processing Engine

At the heart of every mixer lies the most important part - the sound. It was hard, nearly impossible, but Midas has improved the legendary digital Midas sound with a new 64-bit wider dynamic range summing mix engine. Working with Midas has never been easier. The key to the Midas sound is ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filter effect is crucial - although a lot of other consoles simply ignore this vital part of the audio signal path.

Flexi-Aux

The Flexi-Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.

Channel AI ™

Never before has a console been able to listen to your source, tell you what it is, suggest Gain, EQ, Compression and Gate settings if required. All this presented in an easy user interface that lets you decide which parts of suggested settings you wish to use. Adaptive presets let you pick the style of sound you want and the Channel AI ™ does the rest. You’ll wonder how you ever lived without it. The development of the HD96-24 can be summed up with one phrase “We Listened”.

Features

  • Live performance digital control centre with up to 144 simultaneous input channels and 96 kHz sample rate
  • 123 time-aligned and phase-coherent mix buses
  • 21" full colour TFT display screen with capacitive touch sensing
  • Advanced and multi gesture, touchscreen user interface
  • Award-winning Midas microphone preamplifiers
  • HyperMAC and AES50 networking allows up to 480 inputs and 480 outputs @ 96 kHz sample rate
  • Dual Network Bridge Format Converter with up to 128 Bidirectional Channels and Asynchronous Sample Rate Conversion
  • 24 VCA (variable control association) groups, and 24 POPulation groups
  • Up to 48 assignable 1/3 octave Klark Teknik DN370 graphic equalisers
  • Up to 24 multi-channel digital signal processing effects engines
  • Integrated Bluetooth and wireless transceiver module
  • Dual ULTRANET Ports providing 32 additional digital outputs
  • 28 MIDAS PRO motorised 100 mm faders
  • Fully interpolated touch sensitive controls
  • Optional wireless remote control with remote application
  • Dual redundant auto-ranging universal switch-mode power supplies

Specifications

Processing Input processing channels: 144 flexi channels Output processing channels: 96 flexi aux outputs, 24 matrices, stereo bus, mono bus Point-to-point routing matrix: 622 x 652 Signal processing: 64-bit floating point D/A converter: 24-bit, 96 kHz and 128 times oversampling A/D converter: 24-bit, 96 kHz and 128 times oversampling Sampling frequency: 96 kHz I/O latency (surface input to output): 1.34 ms
Input audio processing: Dual-slope high and low-pass filters True phase filter control 4-band parametric EQ with 3 shelf modes 4-mode creative input compressors Input gates or ducker Insert point on/off with processing order change Direct output with adjustable level and processing pick of point Delay-compensated aux return mode on inputs 5 x tap-off points per send
Output audio processing Output 4-band parametric EQ with shelving/HP/LP options 4-mode creative output dynamics Insert point on/off with processing order change Direct input with adjustable level and processing tap-off point
Mixing control assistance 12 x talk groups 12 x mute groups 24 x surface POPulation groups 24 x VCA associated population groups Scene snapshot automation
Connectors
  • Midas microphone preamplifier: 8 x XLR balanced
  • Balanced outputs: 8 x XLR balanced
  • Talkback connector: 1 x XLR balanced
  • Talk connector: 1 x XLR balanced
  • Headphone connector: 2 x 1/4" TRS (stereo)
  • Digital AES3 input / output (XLR): 2 / 2
  • AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s): 4
  • Snake (copper): 2 x HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR
  • Snake (fibre): 2 x HyperMac (192 channels of bi-directional digital audio) on Opticon XLR
  • CM1 expansion slots: 2 x slots (CM1 module for AES50, DANTE, MADI and USB)
  • Ultranet: 2 x Ultranet ports (up to 16 digital outputs per port)
  • Word clock IN: BNC, accepts TTL level, 96 kHz square wave, impedance 75 Ohms
  • Word clock OUT: BNC, provides a TTL level, 96 kHz square wave
  • AES3 sync IN: 1 x 3-pin XLR
  • AES3 sync OUT: 1 x 3-pin XLR
  • External (Ethernet) connector: Ethercon XLR
  • Monitor output: 2 x HDMI (1920 x 1080p 59.94Hz/60Hz 16:9 & 720 x 480p 59.94Hz/60Hz 16:9 supported)
  • USB 3.0 type A hub: 4 x 5 V ? 900 mA
  • USB 3.0 type A (fader port expansion): 4 x 5 V ? 900 mA
  • USB 2.0 type A (front surface data): 1 x 5 V ? 500 mA
  • Diagnostics Port: Serial port
  • MIDI: In, Out and Thru 5-pin MIDI DIN sockets
  • Lamp: 2 x 12 V DC 5 W 4-pin
  • IEC mains socket with power switch: 2
Input / Output Characteristics
  • Surface input impedance: 10 kO
  • Non-clip maximum input level: +24 dBu
  • Analogue stepped gain: -2.5 dB to +45 dB plus -40 dB to +20 dB continuous digital trim
  • Phantom power (switchable per input): +48 V
  • Talk mic impedance: 5 kO
  • Talk mic gain: +15 dB to +60 dB
  • Talk mic max level: +6 dB
  • Surface output impedance: 50 O
  • Surface output gain: 0 dB
  • Surface output max level: +21 dBu
  • Dynamic range: 106 dB, 22 Hz to 22 kHz, unweighted
  • Maximum voltage gain: 100 dB inputs to subgroups and masters , 106 dB inputs to aux and matrix
  • Crosstalk at 1 kHz: -100 dB physically adjacent input channels
  • Crosstalk at 10 kHz: -90 dB physically adjacent input channels
  • Fader / pan cut off at 1 kHz: -100 dB
  • Fader / pan cut off at 10 kHz: -100 dB
  • Headphones output impedance: 10 O
  • Headphones maximum output level: +21 dBu
Displays
  • Display screen: 21" LCD high brightness 1920 x 1080 px, captive touchscreen, up to 10 simultaneous touches
  • LCD info displays: 41 x full colour LCD info displays, 24 mm x 24 mm (size), 240 x 240 px
  • Input meters (quantity 30): 12 segment -35 dBu to +20 dBu
  • Output meters (quantity 7): 20 segment -36 dBu to +21 dBu
  • Channel comp meters (quantity 28): 5 segment -24 dBu to -1 dBu
  • Channel gate meters (quantity 28): 5 segment -34 dBu to -5 dBu
  • Comp meter (quantity 1): 12 segment -23 dBu to -1 dBu
  • Gate meter (quantity 1): 12 segment -34 dBu to -1 dBu
Controls
    • 100 mm motorized faders: 8 + 8 + 8 + 4
    • Touch-sensitive rotary controls: 66
  • Headphone controls: A and B, min to max
  • Talk: Talk gain min to max

Custom controls: Fully assignable rotary controls: 28 + 8 Fully assignable backlit buttons: 28 + 8 + 12

Physical Operating temperature range: 5 °C to 45 °C (41°F – 113°F) Storage temperature range: -20 °C to 60 °C (-4°F – 140°F) Dimensions (H x W x D) 352 x 1028 x 719 mm (13.9 x 40.5 x 28.3") Weight without flight case 43.2 kg (95.0 lbs) Weight with flight case: 147 kg (103.6 lbs)
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