Yamaha's TRBX300 is built around a simple principle - your performance.
The perfectly balanced, ultra-comfortable solid mahogany body with a fast, ultra-comfortable 5-piece maple and mahogany neck and rosewood fingerboard provides the optimum tonal foundation while the Performance EQ active circuitry gives instant access to perfectly dialed-in stage-ready tones coupled with the expressive control you need. Other appointments inlcude die-cast tuners and black nickel hardware which is both functional and stylish.
Pickups
The TRBX300's YGD-designed M3 pickups feature oversized polepieces and ceramic magnets for a clear, powerful tone with incredible definition and depth. The hum-cancelling design ensures your performance is clean and noise-free while the integral thumb rest provides unrivalled playability.
Bridge
A high-mass die-cast bridge efficiently transfers string vibrations to the body for full, rich tone combined with excellent adjustability and road-tested durability. 18mm string spacing on the 5-string model offers outstanding playability for technical slap or finger styles.
Scale Length: 34'' (863.6mm)
Neck: Maple and Mahogany 5-piece bolt-on
Fingerboard: Rosewood
Radius: 23-5/8'' (600mm)
Nut Width: 43mm
Body: Solid Mahogany
Tuners: Die-cast
Bridge: Die-cast 18mm
Pickups: MHB3n (Ceramic),MHB3b (Ceramic)
Controls: Master Volume, Pickup Balancer, Bass, Treble and Performance EQ switch
Hardware Color: Black Nickel
Case sold seperately
Community Trust
We’re proud to be the music store of choice for musicians and enthusiasts, offering not just products but a trusted partnership with a commitment to exceptional service.
National Shipping
Choose Mega Music for swift and dependable nationwide shipping, ensuring your musical gear reaches you promptly and securely, no matter where you are in Australia.
Unrivalled Selection
Mega Music stands out with one of the industry’s most extensive ranges of musical gear, providing musicians with an unmatched variety of instruments, equipment, and accessories to help them create.
