A lush redesign has brought a sleek and comfortable hand-carved ebony armrest to the series, along with the same sweeping array of tonal-enhancing refinements first applied to the 800 Series. On the 914ce, the Grand Auditorium’s all-around versatility has been punched up to produce a more powerful bass response and a warmer, sweeter midrange. The refreshed appointment scheme boasts a beautifully calibrated balance of ebony binding and koa purfling, together with colorful abalone shell inlays and trim. Additional features include a Venetian cutaway and Taylor’s Expression System® 2 pickup. The guitar ships in a Taylor deluxe hardshell case. Taylor's signature shape embodies the ultimate all-purpose acoustic. An original Bob Taylor design introduced in 1994 Full in the lower register, present in the midrange, and sparkling on the treble strings Our most popular shape and a good place to begin your search Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.