{"product_id":"ko-nautilus61at-korg-nautilus-at-61-key-music-workstation-with-after-touch","title":"Korg Nautilus AT 61 Key Music Workstation with After Touch","description":"Featuring an expertly tuned sound library that expands your existing programs with exciting aftertouch-driven effects, NAUTILUS AT lets you take full advantage of aftertouch's expressive power - straight out of the box.\n\n\n\nAftertouch, combined with the DYNAMICS knob that instantly controls the initial touch and tone changes, opens up a wide range of musical possibilities with just one unit. Combining these functions maximizes the potential of NAUTILU'S nine powerful sound engines - PLUS many other functions to explore!\n\n\n\nNAUTILUS AT comes in two versions: an 88-key model with a premium weighted RH3 keyboard for an incredible piano feel, and a 61-key model with a light, responsive and smooth synthesizer keyboard feel.\n\n(*) NAUTILUS-73 does not have an AT version.\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\n\u003ciframe title=\"Introducing the NAUTILUS AT Music Workstation\" src=\"https:\/\/www.youtube.com\/embed\/M-hNIhcCyLA\" width=\"897\" height=\"504\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\n\n\u003ch3 style=\"text-align: left;\"\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTone Generator\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eSynthesis Types9\u003c\/strong\u003e\n\nSGX-2: Premium Piano (Acoustic Piano)\n\nEP-1: MDS Electric Piano (Electric Piano)\n\nHD-1: High Definition Synthesizer (PCM)\n\nAL-1: Analog Synthesizer (Analog Modeling)\n\nCX-3: Tonewheel Organ (Tonewheel Organ Modeling)\n\nSTR-1: Plucked String (Physical Modeling)\n\nMOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)\n\nMS-20EX: Component Modeling Technology (Analog Modeling)\n\nPolysixEX: Component Modeling Technology (CMT Analog Modeling)\n\n\n\n\u003cstrong\u003eMaximum Polyphony*1*2\u003c\/strong\u003e\n\nSGX-2: 100 voices*3\n\nEP-1: 104 voices\n\nHD-1: 140 voices\n\nAL-1: 80 voices\n\nCX-3: 200 voices\n\nSTR-1: 40 voices\n\nMOD-7: 52 voices\n\nMS-20EX: 40 voices\n\nPolysixEX: 180 voices\n\n\n\n1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.\n\n*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.\n\n*3: 100 dual-stereo notes (equivalent to 400 mono voices)\n\n\n\n\u003cstrong\u003ePreset PCM\u003c\/strong\u003e\n\nRAM 496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\n\n\n\n\u003cstrong\u003eBuild-in Expansion PCM Libraries\n\n\u003c\/strong\u003eEXs301: German2 D Piano\n\nEXs302: Italian F Piano\n\nEXs303: Japanese Upright U Piano\n\nEXs304: Prepared Piano\n\nEXs305: Historical Keyboards\n\nEXs306: Vintage Keyboards 2\n\nEXs307: Strings \u0026amp; Synths\n\nEXs308: Guitar Collection\n\nEXs309: Bass Collection\n\nEXs310: World Essence\n\nEXs311: Background Loops\n\nEXs312: SFX \u0026amp; Hits\n\nEXs313: Found Percussions\n\nEXs314: Expansion Drums\n\n\n\n\u003cstrong\u003ePCM RAM Capacity\n\n\u003c\/strong\u003eApprox. 2GB *4\n\n*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).\n\n\n\n\u003cstrong\u003eWave Sequences\n\n\u003c\/strong\u003e598 User memory, 377 Preload\n\nSupport for stereo multisamples, synchronization of individual notes, and tempo-based settings.\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSGX-2 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003ePremium Piano\u003c\/strong\u003e\n\nFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.\n\nDamper resonance and mechanical noise are reproduced.\n\nUna Corda sample support\n\n\n\n\u003cstrong\u003ePCM\n\n\u003c\/strong\u003eEXs301 – German2 D Piano\n\n12 velocity levels, includes Ambience Piano type\/samples\n\n\n\nEXs302 – Italian F Piano\n\n12 velocity levels, no Una Corda samples\n\n\n\nEXs303 – Japanese Upright U Piano\n\n8 velocity levels\n\n\n\nExs304 – Prepared Piano\n\n1-4 velocity levels\n\n\n\n\u003cstrong\u003ePiano Type\n\n\u003c\/strong\u003e128\n\n(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))\n\n\n\n\u003cstrong\u003eOscillator Control\n\n\u003c\/strong\u003eDamper Resonance\n\nDamper Noise\n\nMechanical Noise\n\nNote Release\n\nString Resonance\n\nUna Corda\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eEP-1 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eMDS Electric Piano\n\n\u003c\/strong\u003eTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.\n\n\n\n\u003cstrong\u003eElectric Piano Model Types\n\n\u003c\/strong\u003e7 -Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\n\n\n\n\u003cstrong\u003eOscillator Control\n\n\u003c\/strong\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\n\n\n\n\u003cstrong\u003ePanel ControlTine Type\u003c\/strong\u003e\n\nPreamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\n\n\n\n\u003cstrong\u003eReed Type\u003c\/strong\u003e\n\nPreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\n\n\n\n\u003cstrong\u003eEffect Types\u003c\/strong\u003e\n\n9 - Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eHD-1 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eAdvanced Vector Synthesis\n\n\u003c\/strong\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.\n\n\n\n\u003cstrong\u003eStructure\n\n\u003c\/strong\u003eSingle: only OSC1, Double: OSC1 and OSC2.\n\nDouble mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.\n\nDrums: One drum kit, Double Drums: Two drum kits.\n\n\n\n\u003cstrong\u003eOscillators\n\n\u003c\/strong\u003e8 velocity zones per oscillator, with switching, crossfades and layering\n\nEach zone can play mono or stereo Multisamples or Wave Sequences\n\n\n\n\u003cstrong\u003eFilters\n\n\u003c\/strong\u003eTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)\n\n\n\n\u003cstrong\u003eDriver\n\n\u003c\/strong\u003ePer voice non-linear driver and low boost circuit\n\n\n\n\u003cstrong\u003eEQ\n\n\u003c\/strong\u003eThree bands, with sweep-able mid\n\n\n\n\u003cstrong\u003eModulation\n\n\u003c\/strong\u003eThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixersQuick Layer \/ Split function\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong style=\"color: var(--text-color); font-family: var(--font-one); text-decoration: underline;\"\u003eAL-1 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\n\u003cdiv class=\"side-margin\"\u003e\n\n\n\n\u003cstrong\u003eOscillators\u003c\/strong\u003e\n\nUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync\n\n\u003cstrong\u003eAudio Input\u003c\/strong\u003e\n\nExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ\n\n\u003cstrong\u003eFilters\u003c\/strong\u003e\n\nTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)\n\n\u003cstrong\u003eDriver\u003c\/strong\u003e\n\nPer-voice non-linear driver and low boost circuit\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\nFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCX-3 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eTonewheel Organ Modeling\u003c\/strong\u003e\n\nPhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake\n\n\u003cstrong\u003eEX Mode\u003c\/strong\u003e\n\nFour additional, user-specified drawbars, and expanded percussion\n\n\u003cstrong\u003eInternal Effects\u003c\/strong\u003e\n\nRotary speaker, vibrato\/chorus, amp modeling with overdrive, 3-band EQ\n\n\u003cstrong\u003eDrawbar Control\u003c\/strong\u003e\n\nControlled via nine front-panel sliders (via Tone Adjust)\n\n\u003cstrong\u003eSplit\u003c\/strong\u003e\n\nUpper, Lower (even in EX mode)\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\nTwo AMS mixers\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSTR-1 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003ePhysically Modeled String\u003c\/strong\u003e\n\nIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime\n\n\u003cstrong\u003eString Excitation\u003c\/strong\u003e\n\nThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter\n\n\n\n\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\n\nKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\n\n\n\n\u003cstrong\u003eExcitation Filter\u003c\/strong\u003e\n\nDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled\/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes\n\n\u003cstrong\u003eAudio Input and Feedback\u003c\/strong\u003e\n\nRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation\n\n\u003cstrong\u003eFilters\u003c\/strong\u003e\n\nDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes\n\n\u003cstrong\u003eMulti Filter Mode (Filter A only)\u003c\/strong\u003e\n\nModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\n\n\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\n5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eMOD-7 Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eWaveshaping VPM Synthesizer\u003c\/strong\u003e\n\nCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files\n\n\u003cstrong\u003eOscillators\u003c\/strong\u003e\n\n6 VPM\/Waveshaper\/Ring Modulation Oscillators\n\nPhase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals\n\n\n\n\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\n\nKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory\n\n\n\n\u003cstrong\u003eNoise Generator\u003c\/strong\u003e (With saturation and low-pass filter function)\n\n\n\n\u003cstrong\u003eAudio input\u003c\/strong\u003e\n\nRun real-time audio through the VPM Oscillators and filters.\n\n\n\n\u003cstrong\u003eFilters\u003c\/strong\u003e\n\nDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)\n\n\u003cstrong\u003eMulti Filter mode (Filter A only)\u003c\/strong\u003e\n\nModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\n\n\n\n\u003cstrong\u003ePatch Panel\u003c\/strong\u003e\n\nSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\n10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eMS-20EX Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eOscillators\u003c\/strong\u003e\n\nUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\n\n\n\n\u003cstrong\u003eAudio Input\u003c\/strong\u003e\n\nRun real-time audio through the synthesis engine and ESP (External Signal Processor)\n\n\n\n\u003cstrong\u003eFilters\u003c\/strong\u003e\n\n12dB\/octave High Pass and Low Pass self-resonant filters\n\n\u003cstrong\u003eESP section\u003c\/strong\u003e\n\n24dB\/octave Low Cut and High Cut filters, available per voice.\n\n\n\n\u003cstrong\u003ePatch Panel\u003c\/strong\u003e\n\nPatchable audio and modulation, at audio rates\n\n\n\n\u003cstrong\u003ePatch Points\u003c\/strong\u003e\n\n\u003cstrong\u003eKeyboard\u003c\/strong\u003e\n\nKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\n\n\u003cstrong\u003eVCO\u003c\/strong\u003e\n\nVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\n\n\u003cstrong\u003eVCF\u003c\/strong\u003e\n\nExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\n\n\u003cstrong\u003eVCO+VCF\u003c\/strong\u003e\n\nTotal External Modulation In\n\n\u003cstrong\u003eVCA\u003c\/strong\u003e\n\nExternal Initial Gain Control In, VCA In\n\n\u003cstrong\u003eEG\u003c\/strong\u003e\n\nEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\n\n\u003cstrong\u003eMG\u003c\/strong\u003e\n\nTriangle Out, Rectangle Out\n\n\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\n\nPink Noise Out, White Noise Out\n\n\u003cstrong\u003eSample and Hold\n\n\u003c\/strong\u003eClock Trigger In, Sample Signal In, S\/H Out\n\n\u003cstrong\u003eModulation VCA\u003c\/strong\u003e\n\nControl Voltage In, Signal In, Signal Out\n\n\u003cstrong\u003eManual Controller\u003c\/strong\u003e\n\nControl Wheel Out, Momentary Switch\n\n\u003cstrong\u003eESP\u003c\/strong\u003e\n\nSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\n\n\u003cstrong\u003eOthers\u003c\/strong\u003e\n\nEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\n\n\n\n\u003cstrong\u003eESP (External Signal Processor):\u003c\/strong\u003e\n\nUse incoming audio as a trigger and\/or CV source\n\n\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\nOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026amp;2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003ePolysixEX Program\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eOscillators\u003c\/strong\u003e\n\n\u003cstrong\u003eVCO\u003c\/strong\u003e\n\nSaw, Pulse, PWM\n\n\u003cstrong\u003eSub Oscillator:\u003c\/strong\u003e\n\nOff, 1 octave below, 2 octaves below\n\n\n\n\u003cstrong\u003eFilter\u003c\/strong\u003e\n\n24dB(4-Pole) Octave Low Pass self-resonant filter\n\n\n\n\u003cstrong\u003eEffects\u003c\/strong\u003e\n\nIntegrated Polysix Chorus, Phaser, and Ensemble\n\n\n\n\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\n\nIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch\n\n\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\n\u003cstrong\u003ePolysix\u003c\/strong\u003e\n\nOriginal ADSR EG and MG (with MIDI sync).\n\n\u003cstrong\u003eNAUTILUS\u003c\/strong\u003e\n\n2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eCombination\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eNumber of Timbres, Master Keyboard Functionality\u003c\/strong\u003e\n\n16 Maximum\n\nKeyboard and velocity splits, layers, and crossfades of up to 16 Programs and\/or external MIDI Devices\n\nThe tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices\n\n\n\n\u003cstrong\u003eAdvanced Vector Synthesis\u003c\/strong\u003e\n\nControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\n\nQuick Layer \/ Split function\n\n\n\n\u003cstrong\u003eDrumkit\u003c\/strong\u003e\n\nAssignable stereo\/mono samples with 8 velocity zones per oscillator (with crossfade functions)\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eNumber of Programs\/Combinations\/Drum kits\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eUser Memory Programs\u003c\/strong\u003e\n\n2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)\n\n\n\n\u003cstrong\u003eUser Memory Combinations\u003c\/strong\u003e\n\n1,792 (256 come preloaded)\n\n\n\n\u003cstrong\u003eUser Memory Drum Kits\u003c\/strong\u003e\n\n264 (104 come preloaded)\n\n256 GM Level2 preset programs + 9 GM Level 2 drum preset programs\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSet List\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eNumber of Set Lists\/Slots\u003c\/strong\u003e\n\n128 set lists, 128 slots per set list\n\nEach set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted\n\nTranspose setting\n\nHold Time setting of Smooth Sound Transition (SST) supported for each slot\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSampling\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eSystem\u003c\/strong\u003e\n\nOpen Sampling System (resampling, In-Track sampling)\n\n\n\n\u003cstrong\u003eBit Depth\/Sampling Frequency\u003c\/strong\u003e\n\n\u003cspan style=\"text-decoration: underline;\"\u003eRAM\u003c\/span\u003e\n\n16-bit\/48 kHz stereo\/mono sampling\n\n\u003cspan style=\"text-decoration: underline;\"\u003eDISK\u003c\/span\u003e\n\n16 or 24-bit\/48 kHz\n\n\n\n\u003cstrong\u003eSampling Time\u003c\/strong\u003e\n\n\u003cspan style=\"text-decoration: underline;\"\u003eRAM\u003c\/span\u003e\n\nDepends on the amount of available PCM RAM\n\n\u003cspan style=\"text-decoration: underline;\"\u003eDISK\u003c\/span\u003e\n\nMaximum 80 minutes stereo (879MB: 16bit)\n\n\n\n\u003cstrong\u003eSample Locations\u003c\/strong\u003e\n\n16,000 samples\/4,000 multisamples (128 indexes per multisample)\n\n\n\n\u003cstrong\u003eFormats\u003c\/strong\u003e\n\nKORG format, AKAI S1000\/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats\n\n\n\n\u003cstrong\u003eEditing\u003c\/strong\u003e\n\nTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.\n\n\u003ch3\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003eEffects\u003c\/span\u003e\n\n\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eInsert Effects\u003c\/strong\u003e\n\n12 - Stereo in \/ stereo out\n\n\u003cstrong\u003eMaster Effects\u003c\/strong\u003e\n\n2 - Stereo in \/ stereo out\n\n\u003cstrong\u003eTotal Effects\u003c\/strong\u003e\n\n2 - Stereo in \/ stereo out\n\n\u003cstrong\u003eTimbre EQ\u003c\/strong\u003e\n\nOne 3-band EQ for each timbre\/track\n\n\u003cstrong\u003eEffect\u003c\/strong\u003e \u003cstrong\u003eTypes\n\n\u003c\/strong\u003e197\n\n\u003cstrong\u003eModulation\u003c\/strong\u003e\n\nDynamic Modulation and Common LFO\n\n\u003cstrong\u003eEffects Control Busses\u003c\/strong\u003e\n\nStereo side-chaining for compressors, gates, vocoders, etc\n\n\u003cstrong\u003eEffect Presets\u003c\/strong\u003e\n\nTotal 783 preset, Maximum 32 per 1 effect (Preset User)\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eArpeggiator\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eArpeggiator Modules\u003c\/strong\u003e\n\nOne module in Program mode, two modules in Combination and Sequencer modes\n\n\u003cstrong\u003eArpeggio Pattern\u003c\/strong\u003e\n\n5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots\n\n\u003cstrong\u003eControllers\u003c\/strong\u003e\n\nOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDrum Track\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003ePreset Patterns\u003c\/strong\u003e\n\n1,272 (common with the preset patterns of the MIDI sequencer)\n\n\u003cstrong\u003eUser Patterns\u003c\/strong\u003e\n\n1,000\n\nPatterns created in Sequencer mode can be converted to drum track user patterns.\n\nTrigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo settings can be specified.\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eSequencer \/ HDR\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eTracks\u003c\/strong\u003e\n\n16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.\n\n\n\n\u003cstrong\u003eNumber of Songs\u003c\/strong\u003e\n\n200\n\n\n\n\u003cstrong\u003eResolution\u003c\/strong\u003e\n\n1\/480\n\n\n\n\u003cstrong\u003eTempo\u003c\/strong\u003e\n\n40.00 – 300.00 (1\/100 BPM resolution)\n\n\n\n\u003cstrong\u003eMaximum Memory\u003c\/strong\u003e\n\n400,000 MIDI events or 300,000 audio events\n\n\n\n\u003cstrong\u003eMIDI Tracks\u003c\/strong\u003e\n\n16 tracks plus the master track, 697 preset \/ 100 user patterns (per song), 18 preset\/16 user template songs,\n\n\n\n\u003cstrong\u003eAudio Tracks\u003c\/strong\u003e\n\n16-track playback, 4-track simultaneous recording, WAV file format 16bit\/24bit\n\nMaximum Single-file Recording Time (mono): 80 minutes\n\nAutomation: Volume, Pan, EQ, and Send1\/2\n\n10,000 regions (max.)\n\nEvent Anchors, BPM Adjust\n\n\n\n\u003cstrong\u003eOther Functions\u003c\/strong\u003e\n\nRPPR (Realtime Pattern Play and Record): 1 Pattern set per song\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eDisk Mode\u003c\/strong\u003e\n\nLoad, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\n\n\n\n\u003cstrong\u003eControllers\u003c\/strong\u003e\n\nJoystick, Switches 1 \u0026amp; 2\n\nArpeggiator Control: On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\n\nDRUM TRACK: On\/Off, Swing, Drum SD, Tempo\n\n\n\n\u003cstrong\u003eDisplay\u003c\/strong\u003e\n\nTouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness\n\nPrincipal Specifications\n\n\n\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\n\n20Hz-22kHz, +\/-1.0dB, 10k Ω load\n\n\n\n\u003cstrong\u003eTHD+N\u003c\/strong\u003e\n\n20Hz-22kHz, 0.01%, 10k Ω load (typical)\n\n\n\n\u003cstrong\u003eS\/N\u003c\/strong\u003e\n\n95dB (typical)\n\n\n\n\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\n\n95dB (typical)\n\n\n\n\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\n\n95dB, at 1kHz (typical)\n\n\n\n\u003cstrong\u003eOutputs\u003c\/strong\u003e\n\nL\/MONO, R, Individual 1-4\n\n1\/4” TRS Balanced\n\nOutput Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\n\nNominal Level: +4.0 dBu,\n\nMaximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\n\nMAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L\/MONO and R\n\n\n\n\u003cstrong\u003eHeadphones\u003c\/strong\u003e\n\n1\/4” stereo phone jack\n\nOutput impedance: 33 Ω,\n\nMaximum Level: 60+60 mW (when load impedance is 33 Ω),\n\nMAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))\n\n\n\n\u003cstrong\u003eUSB-B\u003c\/strong\u003e\n\n24-bit, Sample Rate: 48 kHz, 2 channels\n\n(Digital output of the same signals as AUDIO OUTPUT (MAIN) L\/MONO and R)\n\n\n\n\u003cstrong\u003eInputs\u003c\/strong\u003e\n\nAudio Inputs 1 and 2\n\n1\/4” TRS Balanced\n\nInput Impedance: 10 kΩ\n\nNominal Level: LINE +4 dBu\n\nMaximum Level: LINE +16 dBu\n\nNominal Level: MIC –22 dBu\n\nMaximum Level: MIC -10 dBu\n\nSource Impedance: 600 Ω\n\n\n\n\u003cstrong\u003eUSB-B\u003c\/strong\u003e\n\n24-bit, Sample Rate: 48 kHz, 2 channels\n\n\n\n\u003cstrong\u003eControl Inputs\u003c\/strong\u003e\n\nDamper pedal (half damper supported)\n\nAssignable switch, Assignable pedal\n\n\n\n\u003cstrong\u003eMIDI\u003c\/strong\u003e\n\nIn, Out, Thru\n\n\u003ch3\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eUSB\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cstrong\u003eUSB A (TYPE A)\u003c\/strong\u003e\n\nFor connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)\n\n\n\n\u003cstrong\u003eUSB B (TYPE B)\u003c\/strong\u003e\n\nMIDI\/audio interface, MIDI: 1 (16 channel) input \/ 1 (16 channel) output, Audio: 2 channel input \/ 2 channel output\n\n*2 USB high-speed ports (supports 480Mbps)\n\n\n\n\u003cstrong\u003eDisk Drives\u003c\/strong\u003e\n\n60 GB SSD (2.5”)\n\n\n\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e\n\nAC power supply terminal, Power switch\n\n\n\n\u003cstrong\u003eProduct Dimensions: (W x D x H)\u003c\/strong\u003e\n\n61 key: 1,062 x 386 x 116 mm \/ 41.81” x 15.20” x 4.57”\n\n\n\n\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\n\n61 key: 13.0 kg \/ 28.66 lbs.\n\n\n\n\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\n\n40 W\n\n\n\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003c\/span\u003e\n\nAC cord, Quick Start Guide\n\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e","brand":"KORG","offers":[{"title":"Default Title","offer_id":50639662383392,"sku":"KO-NAUTILUS61AT","price":3499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0953\/3793\/9232\/files\/137360.jpg?v=1763965859","url":"https:\/\/megamusiconline.com.au\/products\/ko-nautilus61at-korg-nautilus-at-61-key-music-workstation-with-after-touch","provider":"Mega Music","version":"1.0","type":"link"}