{"product_id":"adx-fp7-audix-fp7-drum-7-pce-microphone-pack","title":"Audix FP7 Drum 7-pce Microphone Pack","description":"\u003cstrong\u003eThe FP7 drum pack includes a combination of f2, f5, f6 dynamic mics and two f9 capacitors.\u003c\/strong\u003e\n\n\u003cul\u003e\n\n \t\u003cli\u003eThe f5 is tuned for snare drums and can also be used for bongos, timbales, guitar cabinets, and acoustic instruments.\u003c\/li\u003e\n\n \t\u003cli\u003eF2 is ideal for rack toms, floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments.\u003c\/li\u003e\n\n \t\u003cli\u003eThe f6 is designed for kick drums, bass cabinets, cajons and other low frequency instruments with extended bass response.\u003c\/li\u003e\n\n \t\u003cli\u003eThe f9 condenser mic captures the cymbals from above and also captures the hi-hat. Fusion series microphones are designed for demanding live stage use and are ideal for rehearsals, schools, houses of worship, and a variety of home recording applications.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cstrong\u003eUSER TIPS\u003c\/strong\u003e\n\nThe f2, f6 and f9 microphones are supplied with the DCLIP, a heavy duty nylon stand adapter with snap-to-fit design; the f5 is supplied with the MC1 mic clip. Each clip comes with a 3\/8” thread adapter which is mainly used with European mic stands. The following are some ideas as to how the microphones in the packs interact with each other.\n\n\n\n\u003cstrong\u003eKick drum:\u003c\/strong\u003e The f6 is the kick drum mic. A great accessory to help position the f6 is the STANDKD, which is specifically designed for that application. To position the f6, a good starting point is to place the mic inside the front hole of the kick drum, pointing toward the beater. (Tip: be sure that the grill is completely inside the hole). For more attack, move the mic closer toward the head, making sure not to position the mic right in front of the beater.\n\n\n\n\u003cstrong\u003eSnare and toms:\u003c\/strong\u003e The f2 (snare) and f5 (toms) are designed to be close miked. A good starting point is two inches above the rim with the mic pointing toward the center of the head. For more “rim” sound, pull the mic back closer to the rim. For more resonance and depth of field, pull the mic further away from the head. The trick is to find the right balance between resonance and controlling bleed from the other drums. The FP7 package includes two f9 condensers for overhead miking. With the addition of the overhead mics, you have the opportunity to create more depth of field and more presence within the mix. There is a choice of using both f9’s for overheads, or one for high hat and one for overhead.\n\n\n\n\u003cstrong\u003eOverheads:\u003c\/strong\u003e There are several options when placing two mics overhead. The most common concept is to keep the snare as the focal point and move the mics into various left and right positions equal distance from the snare; 4 feet is a good starting point. For best results, keep the mics in a vertical position, keeping in mind that you are not necessarily just miking the cymbals but the whole kit. You will need to find a balance between the overhead mics and the drum mics, some of which will be dictated by the venue and the PA system.\n\n\n\n\u003cstrong\u003eOne for high-hat, one for overhead:\u003c\/strong\u003e The f9 for high hat should be placed 2-3 inches above the top cymbal and toward the outside edge. The overhead mic can be placed above the cymbals, generally above the rack toms. In the case where there are more cymbals on one side of the kit than the other, the mic can favor the side with the most cymbals.\n\n\u003ciframe title=\"4K l Audix DP7 \u0026amp; Audix FP7 l Drum Microphone Comparison l Sonic Value l 드럼 마이크 l 오딕스 l 소닉밸류\" src=\"https:\/\/www.youtube.com\/embed\/DwgUDkO-Nsg\" width=\"1280\" height=\"720\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\n\u003cstrong\u003eF2 Microphone\u003c\/strong\u003e\n\n\u003cul\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eTransducer\u003c\/strong\u003e\n\nDynamic\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eFrequency Response\n\n\u003c\/strong\u003e52 Hz - 15 kHz\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\n\nHypercardioid\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\n\n\u003c\/strong\u003e580 ohms\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eSensitivity\n\n\u003c\/strong\u003e2 mV \/ Pa @ 1k\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaximum SPL\n\n\u003c\/strong\u003e139 dB\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOFf-axis rejection\n\n\u003c\/strong\u003e20 dB\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\nNone\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaterials \/ Finish\n\n\u003c\/strong\u003eZinc Alloy\/ Black Finish\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\n\n247 g \/ 8 oz\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Length\n\n\u003c\/strong\u003e104 mm \/ 4.09 in\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003chr\u003e\n\n\n\n\u003cstrong\u003eF5 Microphone\u003c\/strong\u003e\n\n\u003cul\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eTransducer\u003c\/strong\u003e\n\nDynamic\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eFrequency Response\n\n\u003c\/strong\u003e55 Hz - 15 kHz\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\n\nHypercardioid\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\n\n\u003c\/strong\u003e580 ohms\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eSensitivity\n\n\u003c\/strong\u003e2.2 mV \/ Pa @ 1k\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaximum SPL\n\n\u003c\/strong\u003e137 dB\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOFf-axis rejection\n\n\u003c\/strong\u003e20 dB\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\nNone\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaterials \/ Finish\n\n\u003c\/strong\u003eZinc Alloy\/ Black Finish\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\n\n247 g \/ 8 oz\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Length\n\n\u003c\/strong\u003e145 mm \/ 5.7 in\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003chr\u003e\n\n\n\n\u003cstrong\u003eF6 Microphone\u003c\/strong\u003e\n\n\u003cul\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eTransducer\u003c\/strong\u003e\n\nDynamic\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eFrequency Response\n\n\u003c\/strong\u003e40 Hz - 16 kHz\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\n\nHypercardioid\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\n\n\u003c\/strong\u003e580 ohms\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eSensitivity\n\n\u003c\/strong\u003e1.2 mV \/ Pa @ 1k\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaximum SPL\n\n\u003c\/strong\u003e140 dB\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOFf-axis rejection\n\n\u003c\/strong\u003e20 dB\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\nNone\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaterials \/ Finish\n\n\u003c\/strong\u003eZinc Alloy\/ Black Finish\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\n\n247 g \/ 8 oz\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Length\n\n\u003c\/strong\u003e121 mm \/ 4.76 in\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003chr\u003e\n\n\n\n\u003cstrong\u003eF9 Microphone\u003c\/strong\u003e\n\n\u003cul\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eTransducer\u003c\/strong\u003e\n\nPre-polarized Condenser\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eFrequency Response\n\n\u003c\/strong\u003e40 Hz - 20 kHz\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\n\nCardioid\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOutput Impedance\n\n\u003c\/strong\u003e200 ohms\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eSensitivity\n\n\u003c\/strong\u003e8 mV \/ Pa @ 1k\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaximum SPL\n\n\u003c\/strong\u003e137 dB\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eOFf-axis rejection\n\n\u003c\/strong\u003e24 dB\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\n12 - 48 V Phantom\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eMaterials \/ Finish\n\n\u003c\/strong\u003eZinc Alloy\/ Black Finish\u003cstrong\u003e\n\n\u003c\/strong\u003e\n\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Weight\u003c\/strong\u003e\n\n95 g \/ 3.3 oz\u003c\/li\u003e\n\n \t\u003cli\u003e\n\u003cstrong\u003eProduct Length\n\n\u003c\/strong\u003e111 mm \/ 4.37 in\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003cstrong\u003eWhat's Included?\u003c\/strong\u003e\n\n\u003cul\u003e\n\n \t\u003cli\u003eAluminum Road Case\u003c\/li\u003e\n\n \t\u003cli\u003e3 x f2 Rack and Floor Tom Mics\u003c\/li\u003e\n\n \t\u003cli\u003e1 x f5 Snare Mic\u003c\/li\u003e\n\n \t\u003cli\u003e1 x f6 Kick Drum Mic\u003c\/li\u003e\n\n \t\u003cli\u003e2 X f9 Overhead Mics\u003c\/li\u003e\n\n \t\u003cli\u003eDCLIP - Heavy duty mic clip (6)\u003c\/li\u003e\n\n \t\u003cli\u003eMC1 - Nylon mic clip (1)\u003c\/li\u003e\n\n \t\u003cli\u003eDFLEX - Dual pivot rim mounted clip with extra wide butterfly jaws (4)\u003c\/li\u003e\n\n \t\u003cli\u003eWSF9 - WSF9 Windscreens (2)\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":50860016238880,"sku":"ADX-FP7","price":869.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0953\/3793\/9232\/files\/ADXFP7-2_11d873a8-9fd9-4ebe-8c82-3e205f24e870.png?v=1762316690","url":"https:\/\/megamusiconline.com.au\/products\/adx-fp7-audix-fp7-drum-7-pce-microphone-pack","provider":"Mega Music","version":"1.0","type":"link"}